Entre satire, psychological tension and moral drama,Nightcrawler Movie 2014 Box Office A Nightmare on attack on the shabbiness of modern journalism, such as the television network on steroids. Dan Gilroy, a veteran Hollywood screenwriter makes his directorial debut, let their anger openly and aggressively, or by recourse to the quirky, violent complications underlines the urgency of his message. His social criticism is never really convincing as most professionals in the field, huh seem to be able to, but if you do not think the media sensation, without criticizing on yourself about this too hard, Nightmare is thoroughly convincing. For the first time, the director, Gilroy shows rare certainty, not only for his bold sound changes
but the stellar job he throws his cast and crew. The most striking contribution comes from Jake Gyllenhaal, resulting in controlled performance is disturbing thoughts with the sketchiness Gilroy. Gyllenhaal character, Lou Bloom, was isolated LA sociopath. He is obsessed with getting ahead, to some extent, almost comic his dialogue, especially a motivational seminar or clichés, but when the film opens, he is able to convince someone to hire him. One night, the site of an ugly car in cash, Bloom meets the videographer Joe Loder (Bill Paxton), who explains that it made good money selling to crime and accidents in the artwork of local TV stations. It was not long, Bloom is strong chipboard the way in the back of the police lines and insinuating dirty television news producer named Nina Romina (Rene Russo).
Gyllenhaal lost 20 pounds in Bloom play, and he creates a memorable screen presence; his muscular body, his gaze, his smile wide and devilish, huh alternative proposes a Jack-o-lantern and a sick animal. Gilroy, Bloom has less substance or TV news terrible as a by-product of it. Determined to get to the top of his profession, he goes so far that the acts of violence to control, so that he can recoup its competitors. Nina should not be put in question his methods, but instead he encouraged him; The main difference between the entre of them is that Bloom wants to get your hands dirty while Nina does not have to leave his comfortable studio. On a metaphorical level, it all makes sense. But Bloom is such a socially awkward freak can not imagine the actual TV producer wants to be in the same room with him. Gilroy disregard realism is not a problem as long as he or satirical noirish mode. Only when he tries to make a warning nightmare he has to play his hand.
